not only was the band that invented black metal, but also the one who coined this name, therefore, perhaps not the best, but the main and most important representative of the style. The group began its activities in 1979 and was formed by drummer Abaddon and guitarist Mantas. Originally a quintet, then the formation is stabilized with the above plus a double bassist and vocalist Cronos. Already at the time, his proposal was to make the crudest form of heavy metal and heavy as possible, darting hand also satanic lyrics and obscene. Discovered by businessman Eric Took, the trio debuted on vinyl in 1980 with the single "In League With Satan / Live Like An Angel, Die Like A Devil," which became a mandatory item in the collection of metal fans at the time. The success of the single led to the release of their first LP, which was released in 1981 called "Welcome To Hell". Listening to today, this album features a metal correct, but nothing that deserves further comment. For the time, however, the play was an authentic sound attack, contained the most brutal form of music heard so far. In 1982, it launched the career of the great product Venom's "Black Metal", one of the most influential albums in the history of heavy metal. "In the bargain," was founded a style hitherto nonexistent, black metal, which would influence endless metal bands who found it ideal niche for your musical ideas and lyrical. In the meantime, the Venom kept releasing albums of a certain quality (although, analyzing coldly, did little more than repeat the winning formula he created) and increasing his fame in the underground. Are of this period, the LPs "At War With Satan" (84) and "Possessed" (85). At this point, the black metal style was already consolidated in the underground and became increasingly mysterious and controversial, with bands that took the most extreme limits those Venom treated to delimit. In parallel, Cronos, Mantas and Abaddon began to suffer with musical differences, at that point, were already quite large between them. Then began to decline. The endless lineup changes began when Mantas decided to drop out in 1985. Thereafter, the group was a quartet, also decided to leave Cronos, Mantas returned and left again, the group embarked on other styles etc.. Through it, mediocre LPs were released, such as, "Calm Before The Storm" (87) and "Tear Your Soul Apart" (90), and the set was seen as a joke. But Abbadon never gave up and, in 1996, brought together the classic lineup of the group for a presentation in a big festival in the Netherlands. The response was so good that the three decided to bet again on career and, in 1997, officially returned to active duty, together again.
Black Metal
quarta-feira, 15 de maio de 2013
Venom
The
not only was the band that invented black metal, but also the one who coined this name, therefore, perhaps not the best, but the main and most important representative of the style. The group began its activities in 1979 and was formed by drummer Abaddon and guitarist Mantas. Originally a quintet, then the formation is stabilized with the above plus a double bassist and vocalist Cronos. Already at the time, his proposal was to make the crudest form of heavy metal and heavy as possible, darting hand also satanic lyrics and obscene. Discovered by businessman Eric Took, the trio debuted on vinyl in 1980 with the single "In League With Satan / Live Like An Angel, Die Like A Devil," which became a mandatory item in the collection of metal fans at the time. The success of the single led to the release of their first LP, which was released in 1981 called "Welcome To Hell". Listening to today, this album features a metal correct, but nothing that deserves further comment. For the time, however, the play was an authentic sound attack, contained the most brutal form of music heard so far. In 1982, it launched the career of the great product Venom's "Black Metal", one of the most influential albums in the history of heavy metal. "In the bargain," was founded a style hitherto nonexistent, black metal, which would influence endless metal bands who found it ideal niche for your musical ideas and lyrical. In the meantime, the Venom kept releasing albums of a certain quality (although, analyzing coldly, did little more than repeat the winning formula he created) and increasing his fame in the underground. Are of this period, the LPs "At War With Satan" (84) and "Possessed" (85). At this point, the black metal style was already consolidated in the underground and became increasingly mysterious and controversial, with bands that took the most extreme limits those Venom treated to delimit. In parallel, Cronos, Mantas and Abaddon began to suffer with musical differences, at that point, were already quite large between them. Then began to decline. The endless lineup changes began when Mantas decided to drop out in 1985. Thereafter, the group was a quartet, also decided to leave Cronos, Mantas returned and left again, the group embarked on other styles etc.. Through it, mediocre LPs were released, such as, "Calm Before The Storm" (87) and "Tear Your Soul Apart" (90), and the set was seen as a joke. But Abbadon never gave up and, in 1996, brought together the classic lineup of the group for a presentation in a big festival in the Netherlands. The response was so good that the three decided to bet again on career and, in 1997, officially returned to active duty, together again.
not only was the band that invented black metal, but also the one who coined this name, therefore, perhaps not the best, but the main and most important representative of the style. The group began its activities in 1979 and was formed by drummer Abaddon and guitarist Mantas. Originally a quintet, then the formation is stabilized with the above plus a double bassist and vocalist Cronos. Already at the time, his proposal was to make the crudest form of heavy metal and heavy as possible, darting hand also satanic lyrics and obscene. Discovered by businessman Eric Took, the trio debuted on vinyl in 1980 with the single "In League With Satan / Live Like An Angel, Die Like A Devil," which became a mandatory item in the collection of metal fans at the time. The success of the single led to the release of their first LP, which was released in 1981 called "Welcome To Hell". Listening to today, this album features a metal correct, but nothing that deserves further comment. For the time, however, the play was an authentic sound attack, contained the most brutal form of music heard so far. In 1982, it launched the career of the great product Venom's "Black Metal", one of the most influential albums in the history of heavy metal. "In the bargain," was founded a style hitherto nonexistent, black metal, which would influence endless metal bands who found it ideal niche for your musical ideas and lyrical. In the meantime, the Venom kept releasing albums of a certain quality (although, analyzing coldly, did little more than repeat the winning formula he created) and increasing his fame in the underground. Are of this period, the LPs "At War With Satan" (84) and "Possessed" (85). At this point, the black metal style was already consolidated in the underground and became increasingly mysterious and controversial, with bands that took the most extreme limits those Venom treated to delimit. In parallel, Cronos, Mantas and Abaddon began to suffer with musical differences, at that point, were already quite large between them. Then began to decline. The endless lineup changes began when Mantas decided to drop out in 1985. Thereafter, the group was a quartet, also decided to leave Cronos, Mantas returned and left again, the group embarked on other styles etc.. Through it, mediocre LPs were released, such as, "Calm Before The Storm" (87) and "Tear Your Soul Apart" (90), and the set was seen as a joke. But Abbadon never gave up and, in 1996, brought together the classic lineup of the group for a presentation in a big festival in the Netherlands. The response was so good that the three decided to bet again on career and, in 1997, officially returned to active duty, together again.
Satyricon
Lord Belial
was formed in 1992 by Thomas (guitars / vocals), Micke (drums), Anders (bass) & Niclas (guitar). The band's first record was called 'The Art Of Dying "and contained seven tracks.
In 1994, Lord Belial recorded their second demo "Into The Frozen Shadows", a tape better produced. was this demo that started to draw the attention of the public, showing a characteristic style and with its own trends.
In 1994 comes the band's debut disc, "Kiss the Goat", which was recorded in the studio Soundfront, Uppsala, 21/11-30/11, 1994. Unluckily the band's album release had a lot of problems and was delayed, and released on the market in any way with problems in production and distribution. But not all that bad luck was an impediment to the recognition of the band because musically the album was well acclaimed by fans of black metal, due to its originality and well-thought combination of melody and extreme aggression.
In 1996 the Lord belial releases his second album "Enter the Moonlight Gate", which came out in April. The album was recorded at Studio Fredman, Gothenburg. In October of the same year the band made a tour of eastern Germany, was a success for the band. then this disc Lord Belial earned a reputation respected and rightful place in the underground.
In November 1997, the band goes on tour in Europe. In May 1998 Lord Belial makes a tour with the band Satanic Slaughter and continues to compose new songs and work. Logo in August of the same year the band entered the studio to record the third album "Unholy Crusade", which came to munch with a heavy sound grotesque putting the band on a step more self yet. After the album's release in the market in 1999, the band leaves for Europe again touring and growing increasingly tours after the band started the year 2000 writing material for the next album, but there were internal problems in the band and in November guitarist Niclas decided to leave for personal reasons. The band gave a small braking in their activities but soon arranged a substitute for Niclas, was the guitarist Fredrik, a guy who had played with Thomas a few years ago in other musical projects. in May 2001 the Lrd Belial took part in a festival called "2 Heavy 4 You" in Sweden, which was the first show where the young guitarist attended showing all of his ability to adapt the band. Also in 2001, in September Lord Belial entered the studio to record their fourth album named "Angelgrinder", promising to be the most well-produced disc of the band so far, with eight tracks of furious Black Metal. The album was produced by Andy LaRoque and scheduled to come out in March 2002. In April finally comes out the hard Angelgrinder, showing a logic maturing band, bringing new features while maintaining the same line of sound: Black metal ass like the songs Satan Divine, Burn the Kindom of Christ, with music and parties as well arrastadonas massacrantes later as the band Kingdom of Infinite Grief. The album stands as a whole, there is a lot of technique and solos well made and well placed
Darkthrone
is one of the best bands of "true black metal". To know more about their history, back to 1986, in Oslo, Norway: Gylve Nagell, Ivar Enger, and Dag Nilsen played in death metal band Black Death. In 1988, the group, which had letters dark and demonic, changes his name to Darkthrone.
The first demo of the band took the name of "Land Of Frost". After recording the demo, enter the guitar Ted Skjellum. The next demo was named "A New Dimension". Already known in the underground black metal, the group launches its third demo, entitled "Cromlech", which is also the name of a classical music band
By Peaceville Records, Darkthrone recorded in 1991 the album "Soulside Journey", which contains the demo "Cromlech" and some new songs. The album "A Blaze In The Northern Sky" was released in 1992, with members using "corpse paint" and pseudonyms: Gylve is Fenriz Nagell, Ted is Nocturno Culto and Ivar is Zephyrous. Incidentally, in the liner notes of this album is a message to the Brazilians: "Thanks to the Brazilian Deathsquadrones. Keep up the maliciousness!! This album is for the Norwegian Black Metal Mafia." ('Thanks to Death Squads Brazilians. Remain Evil!! This disc is the Norwegian Black Metal Mafia. ").
The next album, 1993, was called "Under a Funeral Moon". In 1994, the next album was called "Transylvanian Hunger", which has references to the known case "vs. Euronymous. Grishnack Count". The controversial album cover had in a sentence morueguês would be translated into English as "Arian True Norwegian Black Metal". With the band being labeled a Nazi, Fenriz in an interview said: "Transilvanian Hunger is above reproach, and who criticizes should be judged by their behavior Jew." Four of the songs that are on this album were written by Varg (Count Grishnack), the murderer of Euronymous. Although this album is the quote "In the name of God, let the churches burn" (In the name of God, let the churches burn ").
In the same year recorded the album "Panzerfaust", but no longer had a label. Satyr (Satyricon frontman) released the album for his label, Moonfog, the album has the participation of Varg Vikernes. After this album, Zephyrous left the band for undisclosed reasons today
In 1995, Darkthrone boiled down to Fenriz and Nocturno Culto. Recorded "Total Death", with the two playing all the instruments. The album features songs more eclectic, out of the usual style of the band, which did not please the fans. The disk letters were written by true Norwegian black metal elite: people like Ihsahn (Emperor), Garm (Ulver), and Satyr (Satyricon). Currently the band is about to release his next album called "Ravishing Grimness".
ROTTING CHRIST
The history of
is extensive, spanning more than 20 years. Their survival is a testament not only to the personal conviction of the founding members and his brother Thermis Sakis Tolis, but also the strength of the metal itself.
"Just completed 21 years of our existence as a band and it made us realize how quickly the years are passing," Sakis begins. "It's almost like a dream when I think back to our first day that we could not even afford our own instruments. I remember there were times when we had to resort to illegal activities just to earn enough money to buy the equipment we wanted, so we could sound like our idols. We wanted to sound like Venom and Bathory and Celtic Frost. With a name like Rotting Christ, we were treated like outcasts in our country religiously fundamentalist. Our music was also considered too radical, but anyway, we were always on the front lines, fighting to keep the black metal alive in our territory. Ultimately, we feel honored to have gotten this far. "
Throughout these 21 years, the ROTTING CHRIST experienced a variety of metal genres. Starting the trip as a kind of guise grindcore before moving to wild raw black metal, which he later incorporated Gothic atmospheres in their attack. More recently, they cemented their unique sound, with ethnic instruments.
"Rotting Christ is artistically very excited that a band is always looking for ways not trodden soul," says Sakis. "We have always manifested strange and unique sounds in our music. Being the only composer in the band, I would say that this is an extension of my personality. I can be constantly exploring new avenues in my life, but I always stay true to my roots Metal. "
In 2007, the band's decision to incorporate increasingly decidedly Greek flourishes both musically and lyrically, culminating in one of his most critically acclaimed albums, "Theogonia".
"With 'Theogonia' we just stepped in a different way," says Sakis. "It was a more ethnically influenced we choose to walk, one that we enter further with 'Aealo." Our goal remains the same, however. Our goal is to make music that speaks to the soul, and if we can control it, then we can die with a smile. "
"Aealo" picks up right where "Theogonia" stopped, bombarding the listener with melodic work solos and epic riffs with medium tempo, sometimes supported by a traditional Greek chorus that only increases the inherent emotions present throughout the album.
"'Aealo' refers to the feelings of a warrior during a battle," said Sakis. "These feelings may be intense and varied, such as feelings of anger, fear, sadness and so many others. Listening to the album you'll feel like you're in the middle of a battlefield, fighting his own feelings. This is not an album war. I think it's actually the opposite. When you have finished listening to the album will have a sense of relief. You will feel like you have escaped the emotional trials that only war can create! "
"The album title was decided before I start working on it. Theme I needed to get to work and I thought the topic would be better for this album a struggle, a battle. Life is a battle, man !! Metal is a battle, too. 'Aealo' is a parable about this concept. "
Besides the traditional Greek chorus, Sakis also enlisted the help of friends "Alan" Nemtheanga "Averill" PRIMORDIAL vocalist of Ireland, and "The Magus" frontman Necromantia. Closing the album is also a special and amazing cover of incomparable Diamanda Galas "Orders From the Dead."
"Alan is my brother's metal," says Sakis. "When I was composing the song 'Thou Art Lord,' I thought to myself that his voice would fit well with the atmosphere of the music. So I decided to ask him about it and he gladly accepted. Working with Alan is indeed always a pleasure. And yes, this is the first time that people will be able to hear an English accent in the music of Rotting Christ! Alan is Celtic and I Greek. Both ethnic groups had similar idiosyncrasies to the races in the past. I I felt there was definitely a place for something Celtic in this album. "
"As to Diamanda, I was greatly honored to know that the lady of darkness had approved that we played his song, 'Orders From the Dead', especially because it allowed me to write additional music for this song, of course, belongs to her. The experience was a personal highlight for me as a composer. This particular song comes from the Greek genocide (1914-23) and it fits very well with the atmosphere of the entire disk. I can not think of a better end to an album that a curse, a curse that comes from the dead. "
is extensive, spanning more than 20 years. Their survival is a testament not only to the personal conviction of the founding members and his brother Thermis Sakis Tolis, but also the strength of the metal itself.
"Just completed 21 years of our existence as a band and it made us realize how quickly the years are passing," Sakis begins. "It's almost like a dream when I think back to our first day that we could not even afford our own instruments. I remember there were times when we had to resort to illegal activities just to earn enough money to buy the equipment we wanted, so we could sound like our idols. We wanted to sound like Venom and Bathory and Celtic Frost. With a name like Rotting Christ, we were treated like outcasts in our country religiously fundamentalist. Our music was also considered too radical, but anyway, we were always on the front lines, fighting to keep the black metal alive in our territory. Ultimately, we feel honored to have gotten this far. "
Throughout these 21 years, the ROTTING CHRIST experienced a variety of metal genres. Starting the trip as a kind of guise grindcore before moving to wild raw black metal, which he later incorporated Gothic atmospheres in their attack. More recently, they cemented their unique sound, with ethnic instruments.
"Rotting Christ is artistically very excited that a band is always looking for ways not trodden soul," says Sakis. "We have always manifested strange and unique sounds in our music. Being the only composer in the band, I would say that this is an extension of my personality. I can be constantly exploring new avenues in my life, but I always stay true to my roots Metal. "
In 2007, the band's decision to incorporate increasingly decidedly Greek flourishes both musically and lyrically, culminating in one of his most critically acclaimed albums, "Theogonia".
"With 'Theogonia' we just stepped in a different way," says Sakis. "It was a more ethnically influenced we choose to walk, one that we enter further with 'Aealo." Our goal remains the same, however. Our goal is to make music that speaks to the soul, and if we can control it, then we can die with a smile. "
"Aealo" picks up right where "Theogonia" stopped, bombarding the listener with melodic work solos and epic riffs with medium tempo, sometimes supported by a traditional Greek chorus that only increases the inherent emotions present throughout the album.
"'Aealo' refers to the feelings of a warrior during a battle," said Sakis. "These feelings may be intense and varied, such as feelings of anger, fear, sadness and so many others. Listening to the album you'll feel like you're in the middle of a battlefield, fighting his own feelings. This is not an album war. I think it's actually the opposite. When you have finished listening to the album will have a sense of relief. You will feel like you have escaped the emotional trials that only war can create! "
"The album title was decided before I start working on it. Theme I needed to get to work and I thought the topic would be better for this album a struggle, a battle. Life is a battle, man !! Metal is a battle, too. 'Aealo' is a parable about this concept. "
Besides the traditional Greek chorus, Sakis also enlisted the help of friends "Alan" Nemtheanga "Averill" PRIMORDIAL vocalist of Ireland, and "The Magus" frontman Necromantia. Closing the album is also a special and amazing cover of incomparable Diamanda Galas "Orders From the Dead."
"Alan is my brother's metal," says Sakis. "When I was composing the song 'Thou Art Lord,' I thought to myself that his voice would fit well with the atmosphere of the music. So I decided to ask him about it and he gladly accepted. Working with Alan is indeed always a pleasure. And yes, this is the first time that people will be able to hear an English accent in the music of Rotting Christ! Alan is Celtic and I Greek. Both ethnic groups had similar idiosyncrasies to the races in the past. I I felt there was definitely a place for something Celtic in this album. "
"As to Diamanda, I was greatly honored to know that the lady of darkness had approved that we played his song, 'Orders From the Dead', especially because it allowed me to write additional music for this song, of course, belongs to her. The experience was a personal highlight for me as a composer. This particular song comes from the Greek genocide (1914-23) and it fits very well with the atmosphere of the entire disk. I can not think of a better end to an album that a curse, a curse that comes from the dead. "
terça-feira, 14 de maio de 2013
Emperor
is a Norwegian black metal band symphonic formed in 1991 by vocalist and guitarist Ihsahn Samoth and drummer in Notodden, Telemark in Norway.
Along with Mayhem, Burzum, Darkthrone and other bands, the Emperor was part of the inner circle. During its first years, the band has undergone several changes in its formation, with Ihsahn and Samoth as the only constant members. But after the arrival of drummer Trym Torson in 1996, the formation remained stable until the band split in 2001. In 2006, the band reunited for a series of shows until the end of 2007, when they again separate.
Throughout his career, the band has released four studio albums and sold over 500,000 copies worldwide.
Early years [edit]
The Emperor was founded in 1991 by Samoth and Ihsahn. The musicians met at a convention teenage rock. The two began playing together under various names: first Dark Device, then Xerasia Embryonic and last until founding the known band Thou Shalt Suffer. After that, Samoth began to write songs to parallel Thou Shalt Suffer and together with Ihsahn and Mortiis bassist, formed a new band. The union of these three musicians, led the first formation of the Emperor, Ihsahn as a guitarist, keyboardist and vocalist, Samoth on drums and Mortiis as bassist. After a short time together, the band released a demo Wrath of the Tyrant, which combines a raw Black Metal with the inclusion of keyboard and got a very positive feedback on the Norwegian Black Metal scene. The demo soon attracted the attention of some labels and then Wrath of the Tyrant was released on cassette with a new cover. Was the Candlelight Records who signed the first contract the Emperor. Concurrently, Bård Faust joined the band as drummer and Samoth was to the guitar.
In summer 1992, a series of events occurred in the Norwegian Black Metal scene. Samoth, along with several other members of the inner circle, burned several old churches in Noruega.1 Also in 1992, Bård Faust was Lillehammer, and the newly built Olympic Park, a gay man named Magne Andreassen approached and invited to take a walk in forest. Faust agreed, and once in the forest, the man began to make strong sexual advances towards him. Faust stabbed to death and kicked his head after making sure I was morto.1 2 On the same day of the murder, was Faust with Euronymous of Mayhem and Varg Vikernes of Burzum to burn a church in Holmenkollen in Oslo.
In May 1993, the band released the EP Emperor, which was re-released next month as a split EP with the Hordanes Land of the Enslaved. Mortiis left the band shortly after recording the EP to form his solo project.
After the departure of Mortiis, the band recruited bassist Ildjarn for some shows together with the British band Cradle of Filth, and after this tour, the band left the Corpse paint, stating that he was becoming a trend and losing its original meaning and symbolism.
In July 1993, the Emperor began the recording of their first studio album in Grieghallen in Bergen.
In The Nightside Eclipse and imprisonment of members [edit]
In 1994, Samoth was sentenced to 16 months in prison for burning churches along with Varg Vikernes. The burning of Skjold Church in Vindafjord was committed during a break in the recording of the EP Aske Burzum. Faust was also arrested for burning churches and killing committed in Lillehammer in 1992 and sentenced to 14 years in prison. Tchort bassist who entered in 1993, was also arrested and sentenced to six months in prison for assault and assaulting several people.
In the same year these turbulent events, In The Nightside Eclipse was released, giving the Emperor widespread acclaim and a large fan base.
The back [edit]
After a short downtime, the band returns after probation achieved by Samoth. The bassist Alver, the Dødheimsgard, joined the band in 1995 and Trym Torson, the Enslaved, assumes the battery in 1996. With both, the band released the EP in 1996 Reverence.
In late 1996, the band entered the studio again to record Anthems to the Welkin at Dusk. Featuring a much more progressive sound than the previous albums, Anthems to the Welkin at Dusk won best album of the year in several metal magazines around the world, as the British Terrorizer and U.S. Metal Maniacs.
As trio [edit]
Logo
With the departure of Alver in 1998, the band continued their work as a trio, with Ihsahn now accumulating function bassist. The band recorded their third album, IX Equilibrium and toured Europe and the United States. It was around 2000 Samoth and Trym Torson began to steer more to the Death Metal, while Ihsahn poured musically aside more artistic and progressive metal, as demonstrated in his side project, Peccatum. Thus, in 2001, with the very obvious musical differences, the Emperor decided to split after the release of their latest album, Prometheus: The Discipline of Fire & Demise, composed entirely Ihsahn.
In a statement on the group's demise, they said they had done everything they wanted with the Emperor and did not want the title of the band that does not know when to stop.
Upon completion, was released a compilation album called Scattered Ashes: A Decade of Emperial Wrath, double CD with covers of other bands, and their music more important.
Samoth and Trym continued playing together in the band of black / death metal Zyklon, while Ihsahn is beside his wife Ihriel, focused on design Peccatum, plus a solo project called The Adversary CD which was released in 2006.
Meeting [edit]
In 2005, the band reunited to tour, saying he wanted to do shows for the fans, since there was a farewell tour for your order. For these concerts the band has the participation of Secthdaemon on bass and Einar on keyboards. Played at the anniversary festival of the magazine and were Scream headline the 2006 edition of the Inferno Festival, Norway, and the Wacken Open Air.3
Training [edit]
Last training
Name Surname Period Instrument
Vegard Sverre Tveitan Ihsahn 1991-2001, 2005-2007 Vocal, Guitar, Keyboard, Bass
Tomas Haugen Samoth Thormodsaeter 1991-2001, 2005-2007 Guitar and Drums
Kai Johnny Mosaker Trym Torson 1996-2001, 2005-2007 Battery
Former members
Håvard Ellefsen Mortiis 1991-1992 Low
Bård G. Eithun Bård Faust 1992-1994 Battery
Terje Vik Schei Tchort 1993-1994 Low
Jonas Alver Alver 1995-1998 Low
Guest musicians (live)
Jan Axel Blomberg Hellhammer 1992 Battery
Vidar Vaaer Ildjarn 1993 Low
Steinar Johnsen Sverd Sverd 1994-1995 Keyboard
Jan Erik Tiwaz Tyr 1998-2001 Low
Joachim Rygg Charmand Grimloch 1998-2001 Keyboard
Odd Tony Secthdaemon 2005-2007 Low
Einar Solberg 2005-2007 Keyboard
Discography [edit]
Release Date Title Label
1992 Wrath of the Tyrant (Demo) Independent
1993 Emperor (EP) Candlelight Records
1993 Emperor / Hordanes Land (Split) Candlelight Records
1994 In the Nightside Eclipse (Album) Candlelight Records
1994 As the Shadows Rise (EP) Nocturnal Art Productions
1996 Reverence (EP) Candlelight Records
1997 Anthems to the Welkin at Dusk (Album) Candlelight Records
1998 Emperor / Wrath of the Tyrant (Compilation) Candlelight Records
Thorns vs 1999. Emperor (Split) Moonfog Records
IX Equilibrium 1999 (Album) Candlelight Records
2000 True Kings of Norway (Split) Spikefarm Records
2000 Emperial Live Ceremony (Live) Candlelight Records
2001 The Emperial Vinyl Presentation (Box) Candlelight Records
2001 Prometheus - The Discipline of Fire & Demise (Album) Candlelight Records
2003 Scattered Ashes: A Decade of Emperial Wrath (Compilation) Candlelight Records
2009 Thus Spake the Nightspirit / Inno a Satana (Single) Back on Black
2009 Live Inferno (Box) Candlelight Records
2004 Live Inferno / Live at Wacken Open Air 2006 (Box) Candlelight Records
Videography [edit]
Release Date Title Label
Emperial Live Ceremony 2000 Candlelight Records
2009 Live at Wacken Open Air 2006 Candlelight Records
Marduk
Marduk is a Swedish black metal band. The preferred subjects included in their song lyrics are Satanism, anti-Christianity and the Second World War. It is characterized by being today one of the most iconic bands in their blasphemous lyrics. The name Marduk is the origin of the Bible, a God protector of the city of Babylon.
It was originally composed by the following formation: Morgan Steinmeyer Håkansson on guitar, Rickard Kalm on bass, Andreas Axelsson in Vocal and Joakim Gothberg on drums. It was one of the first Black Metal bands from Sweden.
Drummer Lars Brodesson Metalmania in 2008.
In 1991 released their first demo, titled Fuck Me Jesus, where the cover had a girlfriend Morgan Steinmeyer Håkansson masturbating with a crucifix, the first demo had a style Death Metal with influences Norwegian.
In 1992 signed with Fashion Records and released their first studio album Endless Dark. Andreas Axelsson left the band, and drummer Joakim Gothberg who was in charge of vocals and drums. On guitar was added another guitarist Magnus "I" Andersson.
The French label Osmose Productions signed the band in 1993. In October the same year since it released the second album Those of the Unlight. The seal of osmosis allows them to go on tour in 1994 with Immortal across europa.Após the release of this album the drummer while vocalist Joakim Gothberg becomes just the vocalist and Friedrik Andersson takes the battery and second guitarist "I" leaves the band.
Marduk in Paris, France.
As a result they launch in late 1994, the third album, Opus Nocturne.
In 1995 before the growing success of the group, the first demo Fuck Me Jesus is reissued on CD with the original cover that is a problem with censorship. The CD was banned in some countries.
Joakim leaves the group and is replaced by Legion. In June 1996 released their fourth album Heaven Shall Burn ... When We Are Gathered, a masterpiece for many Black Metal fans and the beginning of a growing success.
Then they released in late 1996 Glorification, a mini-CD, then in 1997, they released Live in Germania, written during a tour in Germany.
In 1998, when bands like Cradle of Filth and Dimmu Borgir are at their peak and the black metal starts to get a little more recognition for the general public, Marduk took the word and made an album focused on violent hatred and devoid of any Keyboard: Nightwing, a CD divided into two parts, who heard the first thought impossible that the second part was even further in terms of aggression, was launched in 1999 Panzer Division Marduk perhaps one of the most brutal albums of all time and then begin yet another tour with a memorable performance at La Loco, Paris.
The French tour was used for the production of the DVD double live a great successor to Live in Germania, called Infernal Eternal, producing this new work also marks the end between Marduk Osmose Productions and "various reasons". From there Morgan creates his own music label, Bloddawn Productions, was then released the double DVD Infernal Eternal in 2001 and soon after the new studio album, La Grande Danse Macabre.
In 2002, the group entered the new drummer Emil Dragutinovic, replacing Fredrik Andersson who left for family reasons. Dragutinovic is an excellent drummer, much faster than its predecessor.
Vocalist Mortuus Metalmania in 2008.
Was then produced the new album World Funeral, an album that marks a new style for the group, the sound is clean and the music more brutal than the last work La Grande Danse Macabre, this album also marks the departure of charismatic vocalist Legion, which Morgan thanked all this experience in the group, bassist B.War also withdrew from the group.
Legion began his new band, known today as Devian.
In 2004, it is the beginning of a new era with his ninth album Plague Angel. "I" the former guitarist returns to the band taking down and a new singer: Mortuus (Arioch).
In December 2004 he was released Deathmarch with four tracks, a different version of Steel Inferno (Present in Plague Angel) and Tod and unprecedented Vernichtung and two repetitions The Hangman of Prague and Throne of Rats.
In January 2007 the drummer Emil Dragutinovic left the band after recording the album Rom 5:12, the group was created by Devian Legion, this album confirms the return to a slow black metal, though most of the songs are still fast as in other albums.
The new drummer who joined the band called Lars Broddesson.
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