
Black Metal
quarta-feira, 15 de maio de 2013
Venom
The
not only was the band that invented black metal, but also the one who coined this name, therefore, perhaps not the best, but the main and most important representative of the style. The group began its activities in 1979 and was formed by drummer Abaddon and guitarist Mantas. Originally a quintet, then the formation is stabilized with the above plus a double bassist and vocalist Cronos. Already at the time, his proposal was to make the crudest form of heavy metal and heavy as possible, darting hand also satanic lyrics and obscene. Discovered by businessman Eric Took, the trio debuted on vinyl in 1980 with the single "In League With Satan / Live Like An Angel, Die Like A Devil," which became a mandatory item in the collection of metal fans at the time. The success of the single led to the release of their first LP, which was released in 1981 called "Welcome To Hell". Listening to today, this album features a metal correct, but nothing that deserves further comment. For the time, however, the play was an authentic sound attack, contained the most brutal form of music heard so far. In 1982, it launched the career of the great product Venom's "Black Metal", one of the most influential albums in the history of heavy metal. "In the bargain," was founded a style hitherto nonexistent, black metal, which would influence endless metal bands who found it ideal niche for your musical ideas and lyrical. In the meantime, the Venom kept releasing albums of a certain quality (although, analyzing coldly, did little more than repeat the winning formula he created) and increasing his fame in the underground. Are of this period, the LPs "At War With Satan" (84) and "Possessed" (85). At this point, the black metal style was already consolidated in the underground and became increasingly mysterious and controversial, with bands that took the most extreme limits those Venom treated to delimit. In parallel, Cronos, Mantas and Abaddon began to suffer with musical differences, at that point, were already quite large between them. Then began to decline. The endless lineup changes began when Mantas decided to drop out in 1985. Thereafter, the group was a quartet, also decided to leave Cronos, Mantas returned and left again, the group embarked on other styles etc.. Through it, mediocre LPs were released, such as, "Calm Before The Storm" (87) and "Tear Your Soul Apart" (90), and the set was seen as a joke. But Abbadon never gave up and, in 1996, brought together the classic lineup of the group for a presentation in a big festival in the Netherlands. The response was so good that the three decided to bet again on career and, in 1997, officially returned to active duty, together again.

Satyricon

Lord Belial

Darkthrone

ROTTING CHRIST
The history of
is extensive, spanning more than 20 years. Their survival is a testament not only to the personal conviction of the founding members and his brother Thermis Sakis Tolis, but also the strength of the metal itself.
"Just completed 21 years of our existence as a band and it made us realize how quickly the years are passing," Sakis begins. "It's almost like a dream when I think back to our first day that we could not even afford our own instruments. I remember there were times when we had to resort to illegal activities just to earn enough money to buy the equipment we wanted, so we could sound like our idols. We wanted to sound like Venom and Bathory and Celtic Frost. With a name like Rotting Christ, we were treated like outcasts in our country religiously fundamentalist. Our music was also considered too radical, but anyway, we were always on the front lines, fighting to keep the black metal alive in our territory. Ultimately, we feel honored to have gotten this far. "
Throughout these 21 years, the ROTTING CHRIST experienced a variety of metal genres. Starting the trip as a kind of guise grindcore before moving to wild raw black metal, which he later incorporated Gothic atmospheres in their attack. More recently, they cemented their unique sound, with ethnic instruments.
"Rotting Christ is artistically very excited that a band is always looking for ways not trodden soul," says Sakis. "We have always manifested strange and unique sounds in our music. Being the only composer in the band, I would say that this is an extension of my personality. I can be constantly exploring new avenues in my life, but I always stay true to my roots Metal. "
In 2007, the band's decision to incorporate increasingly decidedly Greek flourishes both musically and lyrically, culminating in one of his most critically acclaimed albums, "Theogonia".
"With 'Theogonia' we just stepped in a different way," says Sakis. "It was a more ethnically influenced we choose to walk, one that we enter further with 'Aealo." Our goal remains the same, however. Our goal is to make music that speaks to the soul, and if we can control it, then we can die with a smile. "
"Aealo" picks up right where "Theogonia" stopped, bombarding the listener with melodic work solos and epic riffs with medium tempo, sometimes supported by a traditional Greek chorus that only increases the inherent emotions present throughout the album.
"'Aealo' refers to the feelings of a warrior during a battle," said Sakis. "These feelings may be intense and varied, such as feelings of anger, fear, sadness and so many others. Listening to the album you'll feel like you're in the middle of a battlefield, fighting his own feelings. This is not an album war. I think it's actually the opposite. When you have finished listening to the album will have a sense of relief. You will feel like you have escaped the emotional trials that only war can create! "
"The album title was decided before I start working on it. Theme I needed to get to work and I thought the topic would be better for this album a struggle, a battle. Life is a battle, man !! Metal is a battle, too. 'Aealo' is a parable about this concept. "
Besides the traditional Greek chorus, Sakis also enlisted the help of friends "Alan" Nemtheanga "Averill" PRIMORDIAL vocalist of Ireland, and "The Magus" frontman Necromantia. Closing the album is also a special and amazing cover of incomparable Diamanda Galas "Orders From the Dead."
"Alan is my brother's metal," says Sakis. "When I was composing the song 'Thou Art Lord,' I thought to myself that his voice would fit well with the atmosphere of the music. So I decided to ask him about it and he gladly accepted. Working with Alan is indeed always a pleasure. And yes, this is the first time that people will be able to hear an English accent in the music of Rotting Christ! Alan is Celtic and I Greek. Both ethnic groups had similar idiosyncrasies to the races in the past. I I felt there was definitely a place for something Celtic in this album. "
"As to Diamanda, I was greatly honored to know that the lady of darkness had approved that we played his song, 'Orders From the Dead', especially because it allowed me to write additional music for this song, of course, belongs to her. The experience was a personal highlight for me as a composer. This particular song comes from the Greek genocide (1914-23) and it fits very well with the atmosphere of the entire disk. I can not think of a better end to an album that a curse, a curse that comes from the dead. "

terça-feira, 14 de maio de 2013
Emperor

Marduk

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